1.429 file audio bebas royalti untuk "Batu Bata"

This is a recording of a rock that i dropped into an abandoned titan missile silo air vent.

Recording of a cardboard being finger scratched. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

That's how water and stones in gdynia's breakwater sounds like. Zoom h4n internal mics. See it on the map, close your eyes, and you're there :).

The sound of a heavy pressure plate being activated, originally designed for use in a game project.

Walking on gravel on a hike with wind in the background. Recorded with a zoom h4n.

A simple slide guitar riff played on a fender strat.

Dropping a pebble in a medium metal cup.

Dropping a pebble in a medium metal cup.

Dropping a pebble in a medium metal cup.

Dropping a pebble in a medium metal cup.

Wrote/recorded a guitar, simple bass, simple drums at 120-bpm. Guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Ezbass for bass. Ezdrummer for drums. Additional notes:-12. 8 lufs integrated-1. 0 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

This is a failed attempt at sampling a rock drumkit on 6 tracks. The channels are as follows:. 0: oh l1: oh r2: kick3: snare4: room l5: room r. I've captured this into ardour 5. 12 using 3 different audio interfaces:. Behringer umc202hd - overheads (dynamic mics)line 6 pod studio ux2 - kick and snare (condenser + dynamic)zoom h2 - room ambience (built-in xy condenser mics). This file is a 6-channel 24-bit flac file encoded using ffmpeg from the raw wav files exported from the original ardour session. There are several issues with this recording however:. 1. The tracks seem to drift, because the individual audio interface clocks were not in sync. The proper way to record multitrack audio is using a single multichannel audio interface - but i didn't have one. 2. There's either x-runs or some usb transfer issues creating small glitches and dropouts in various tracks her and there. Don't know why did this happen, as we've been tracking the real drummer's performance without these issues. Now - fixing these issues manually would be an insane amount of work, but i hope maybe someone has means to either solve them with programming a special tool, or know a tool that could fix these, and make this recorded session ready to be sliced as a drumkit for say - drumgizmo. There's some really good stuff in here - an i was able to cut and mix some really nice drum samples, that i've been using for years, but it's not ready to be fully sliced for maximum flixibility. The instrument was played by myself - it's a drumset by pearl (don't remember the details), owned by the drummer of a band i recorded this with. The band was called small hint - hence the drumkit name. We were recording an ep, and i used some free time left to capture this as well. The ep was never finished and we disbanded soon after. Regarding fixing the issues - here's what i think needs to be done:. 1. I think each hit would have to be automatically phase-aligned on all 6 channels, to correct for the drift. 2. I think it should be possible to automatically detect clicks by simply watching for a sudden change in amplitude between adjacent samples - marking bad areas and then using something like audacity's repair effect to interpolate the waveforms. I think the glitches have much steeper changes in amplitude than even the drum transients, so it should be possible to differentiate between those automatically. If you found a way to fix at least some of these problems - please let me know!. If you've made some "remixes" on freesound - i'd also love to know that. Apart from that - sample what you can out of this and make some sick drum tracks!.

This is a recording of me walking in the mountains in the south of france, you can hear me briefly talking to my dog, but mostly the sound of the shoes on the dust and rocks. Recorded with an iphone 10.

Hitting a rock with a hatchet.

I copied the gem breath sound effect from the original ex and pt tv series. I modified a noise i made with phaser. I had accidentally not known that i should set the pitch-shift in delay to off.

Created using fm synthesis, layering, and eq.

Created using fm synthesis, waveshaping, and eq.

Simple punk power chord progression, fun to play you can't go wrong with a little 0 3 5 now and then.

Sound of a tractor stacking stones, recorded in matinhos, on february 7, 2023, on the seafront where a barrier is being built. By wanelly luana.

Splash, rock falling into water.

Sound of the earth opening up, something like the end of the world. Made using a whole bunch of filter plugins. Lots of sub bass. If you have a decent bass response, this will shake your windows. For the earthfirewindwater contest.

Throwing small rocks into river. Early morning, february 21 near clark fork river. No credit necessary, but as always, it is greatly appreciated.

Throwing rocks into the calm river water. Early morning, february 21 near clark fork river. No credit necessary, but as always, it is greatly appreciated.

Throwing rocks into the calm river water. Early morning, february 21 near clark fork river. No credit necessary, but as always, it is greatly appreciated.

Clean sound blues in em, c7/d, b7 and b. Recorded on an lg smartphone, yamaha pacifica electric and crate acoustic amp. This track is clean, no fx.

Mano golpea piedra.

Waves on rocks and pebbles. The water moves the medium rocks (crisp sound). About 10m away. A few cars pass-bys behind me on route 1 in york beach, maine, usa.

Composition of three softsynths a drumkit and some percussions.

Dropping a very small horn, a piece of an antler, on a stone floor. Some car noises on the first few takes, sorry.

The sound of rock being hit by sign.

Water in a small creek steadily burbling (bubbling and gurgling) over rocks with a slight hollow in the stones to create the extra sound. Background a couple of scraws from a bird.

Punk rock drums 200 bpm made in garageband by troy l. Hanson.

Rhythm guitar bit in bb. Made on a homemade 4-string "rhythm stick"(that's what i call 'em. It's like a cigar box guitar)tuned to bb. This is raw version.

A layered recording of two terracotta pots scratching against each other. Recorder/mic: zoom h4n pro (stereo x-y)processing: eq, some compression.

Using delay and a boss ds-1 distortion pedal while tapping the natural harmonics of the b-string on my ibanez artcore.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Imagine you are in a video game menu, you click the play button. It doesn't make a sound! that just makes it so empty, how about a nice custom clicking sound. Use it for whatever you would like!.

This is a bass sound, not tuned but it is a perfect loop withouth clicks. It has no panning effect - i will do that on another sample. It is not tuned - use a program that tunes the samples to tonal. You must use it only in one octave from c5 to c6. In other octaves sounds not like a normal bass.

I've actually been frustrated with the lack of earthquake-type sounds, sooo i attempted my own. Not very good. It consisted of different items making different sounds, then slowed down, pitch change, some reverse, some echo, blah blah blah. It's a mess, but that's what rumbling is supposed to be, right? also, depending on your speakers, this may be very loud. . _.

It's payed on a acustic drum. 100bpm.

Rocks being shaken in a bucket. Recorded with a low quality computer mic. Processed in audacity.

Wave, 44. 1khz, 16bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfslocation: leuphana universität lüneburg, cantine. Lat: 53. 229336lon: 10. 398366. Date: 2013-11-18, 13:10h. Recorded and edited by: malte niepel. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Crackling | rock movement: foot steps on rocks,. Date: friday october 16, 2015recording number: t03location: lethbridge, alberta, coulees. Technical: recorded with sound devices recorder and a rode nt4 shotgun microphone. Processing: none. Recorded by the intraenvrionmental sound project.

This was the intro beat to the d'nb project. Again,eq'd and compressed quite hard(about 7:1 i think).

Radio voice "97x the future of rock and roll".